Godzilla: The Half Century War
by: IDW Publishing
Product rating: 4.6 with 39 reviews
The year is 1954 and Lieutenant Ota Murakami is on hand when Godzilla makes first lanfall in Japan. Along with his pal, Kentaro, Ota makes a desperate gamble to save lives… and in the process begins an obsession with the King of the Monsters that lasts 50 years! Collects James Stokoe’s mini-series in an oversized hardcover with an expanded art gallery including new content.
Posted in Science Fiction Tagged with: Century, Godzilla, Half, IDW Publishing
The End of Doom: Environmental Renewal in the Twenty-first Century
by: Thomas Dunne Books
Product rating: 4.7 with 3 reviews
In the past five decades there have been many, many forecasts of impending environmental doom. They have universally been proven wrong. Meanwhile, those who have bet on human resourcefulness have almost always been correct.
In his widely praised book Ecoscam, Ronald Bailey strongly countered environmentalist alarmism, using facts to demonstrate just how wildly overstated many claims of impending ecological doom really were. Now, twenty years later, the Reason Magazine science correspondent is back to assess the future of humanity and the global biosphere. Bailey finds, contrary to popular belief, that many present ecological trends are quite positive. Including:
Falling cancer incidence rates in the United States.
The likelihood of a declining world population by mid-century.
The abundant return of agricultural land to nature as the world reaches peak farmland.
A proven link between increases in national wealth and reductions in air and water pollution
Global warming is a problem, but the cost of clean energy could soon fall below that of fossil fuels.
In The End of Doom, Bailey avoids polemics and offers a balanced, fact-based and ultimately hopeful perspective on our current environmental situation. Now isn’t that a breath of fresh air?
Posted in Climatology Tagged with: Century, Doom, Environmental, Renewal, Thomas Dunne Books, Twenty-first
The Hirschfeld Century: Portrait of an Artist and His Age
Product rating: 4.6 with 5 reviews
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil.
Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps.
Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output.
Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures.
Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers.
Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more.
Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton.
Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
Posted in Collections, Catalogs & Exhibitions Tagged with: Artist, Century, Hirschfeld, Knopf, Portrait